For those who wish to improve their portrait work, this is always a most stimulating, challenging and fun week. Working in your own choice of media (watercolours, pastels and/or acrylics), we explore ways to improve drawing skills and capture a likeness through studying the form, features, composition and pose. After the first “warm up” day of drawing exercises we will be working from models all week. Carole is a popular tutor, favoured for her support and understanding. As well as constant individual tuition throughout, there is a group appraisal at the end of each day and a demonstration on several evenings. The aim is for each student to gain a feeling of accomplishment through increased perception and skills, while enjoying the atmosphere of this historic and inspirational setting.
Tutor: Carole MasseyCarole Massey has been a professional artist for many years and is a very supportive and popular tutor whose courses are renowned for their versatility and enjoyment. She has published six books, has made a number of appearances on national TV, is a regular contributor to the Leisure Painter magazine as well as online painting websites. She has exhibited and demonstrated at the Mall Galleries, in East Anglia and in France, and was honoured with a portrait commission of Sir Charlie Bean, retiring deputy of the Bank of England, where the painting now hangs.
Bring a friend!
If you are attending a course at Flatford Mill at the sole occupancy price, we are offering a special rate for a friend or partner not enrolled on the course to also stay at £50 per night for dinner, bed and breakfast.
Please contact FSC Flatford Mill on 01206 297110 or [email protected] to book this offer.
The day will be spent refreshing basic observational skills - studying facial proportions, how to achieve a likeness, drawing the features and considering the anatomy of the head, as well as looking at colour mixing and colour theory.
Wwe will be working with models, starting with short ‘warm up’ poses for each model before proceeding to one or two longer poses. Students can choose to work in whichever medium they prefer (watercolour, pastels, acrylics, oils or drawing media). We will end each day with an appraisal of the day’s work.
Evening activities may include short demonstrations in a variety of media, optional evening workshops and an exhibition of work at the end of the week. Please bring two examples of work done in the previous year (any subject).
Before You Attend
If you would like to discuss the course content further, you are welcome to contact the tutor direct on 01728 833775 or email her at [email protected] You may also like to see examples of her work on her website at www.carolemassey.com
What to Bring
You can choose to work in one or several different media.
- 2B and 4B pencil
- Good quality medium surface cartridge paper in a spiral bound pad, A3 size, and tinted pastel paper – grey or buff
- Charcoal sticks or pencils, plus a white pastel or black and white pastel pencils
- A hand mirror
- A waterproof pen, black or brown (eg Edding 2800, size 0.3 or 0.5 or Staedtler Artists Pitt pen size ‘F’)
- Kneadable eraser
- Bring whatever colours you prefer to work with, to include a range of colours:
- Lemon yellow or aureolin, cadmium yellow or Indian yellow
- Cadmium red light or vermillion, permanent rose or alizarin crimson
- Raw sienna or yellow ochre, burnt sienna, light red
- French ultramarine, cobalt, phthalo blue or cerulean or Winsor blue
- Watercolour paper eg *Bockingford, Arches, Waterford or Fabriano etc ‘Not’ 140lb (300gsm) paper
- Brushes, eg 5, 8 and 12 round and a rigger, sable or sable/synthetic blend,
- Masking fluid and suitable applicator eg, dip pen or cocktail stick (optional)
preferably artists quality
- Boxed sets specifically for portrait painting are ideal and should include a good range of creams and yellows, flesh colours and purples, cool greens and blues, ochres and browns, as well as some darks.
- Pastel Paper: a range of colours eg cream, buff, pinkish grey (Moonstone), cool grey, red, purple, depending on personal preference, or sand textured pastel paper. E.g. Canson Mi-Teints, Fabriano & Ingres are all good makes of paper & Fisher 400, Canson “Touch” for a more textured surface.
- A stump or torchon for blending
- Paper or newspaper to cover finished work
- Fixative (optional)
- Latex gloves to keep your hands clean
- An apron
- Newspaper or tissue to cover your finished work
preferably artists quality
- Lemon Yellow, Cadmium Yellow, Raw Sienna
- Cadmium Red, Permanent Rose, Red Oxide
- Dioxazine Purple, Cobalt Blue, French Ultramarine
- Phthalo Blue, Burnt Sienna, Viridian or Phthalo Green
- Burnt Umber, Mixing White, Titanium White
- Brushes – a range of hog and/or synthetic brushes in a variety of sizes and shapes (eg round, filbert, flat) A good quality set of 4 synthetic and 2 chungking bristle brushes
- A ‘stay wet’ palette (or baking tray, blotting paper, greaseproof paper and clingfilm to make your own)
- Acrylic paper, board or canvases (optional) e.g. Galleria, A3 size
If you would prefer to work in oils rather than acrylics, please bring what you are used to working with, using liquin as a more environmentally friendly painting medium. NB Carole does not demonstrate in oils.
- Craft knife
- Kneadable rubber
- Kitchen roll
- 1” masking tape
- An apron or old shirt
The Centre has drawing boards,easels and water pots.